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Rent NowHARMAN Red 125 Color Negative Film (120 Medium Format Roll Film)
Specialty Redscale Creative Emulsion – True Reverse-Emulsion Redscale Exposure Design, Nominal Sensitivity of ISO 125, Saturated Red, Orange, and Golden Yellow Tonal Palette with Suppressed Blues, Clear Acetate Base Without Anti-Halation Layer, Standard C-41 / CN-16 Laboratory Processing, High-Resolution 120 Medium Format Canvas, Broad Exposure Latitude with Variable Grain and Color Response, Fully Compatible with Commercial Digital ICE Infrared Dust Removal (Fresh Stock / Mint Condition)
HARMAN Red 125 is a dedicated redscale 120 medium format color negative emulsion manufactured by HARMAN technology, designed specifically for fine-art film photographers, experimental landscape documentarians, and studio portrait artists seeking distinctive chromatic character on an expansive film canvas. Engineered to expose light through the base side directly into the red-sensitive emulsion layer, this medium format film transforms scenes into high-impact palettes dominated by fiery reds, warm ambers, and golden yellows, while substantially eliminating blue frequencies. Constructed on a transparent acetate base without an anti-halation layer, HARMAN Red 125 delivers crisp edge contrast, subtle highlight halation glows, and deep, pronounced shadows while preserving high sensitivity with minimal speed loss.
The 120 roll format brings high resolving power, smooth tonality, and expansive dynamic latitude to the redscale experience, allowing users to sculpt color intensity and grain structure across various frame geometries (including 6×4.5, 6×6, 6×7, 6×8, and 6×9). Exposure choices directly control the final aesthetic: underexposure introduces deeper shadows, coarser grain, and subtle greenish undertones; normal box-speed exposure provides balanced grain, warm orange hues, and soft shadow falloff; deliberate overexposure minimizes visible grain, enhances micro-contrast, and pushes scenes into dominant, saturated crimson and orange tonalities. The film develops in standard C-41 or Fuji CN-16 chemistry alongside conventional color negative film, requiring no special push or pull adjustments for bracketed rolls. Because it uses a standard C-41 dye construction, digitized negatives are fully compatible with automated infrared dust and scratch suppression tools such as Digital ICE across commercial lab scanners, dedicated flatbeds, and camera-scanning rigs.
KEY FEATURES & PERFORMANCE HIGHLIGHTS
Dedicated Reverse-Emulsion Redscale Profile: Filters light through the film base to create intense red, amber, and golden-yellow washes while stripping out blue tonalities.
120 Medium Format Resolving Power: Expansive medium format frame size delivers fine detail, smooth tonal transitions, and sharp highlight rendering.
Clear Base Without Anti-Halation Layer: Uncoated clear acetate base enhances micro-contrast and produces natural halation blooms around specular light sources.
Nominal ISO 125 Baseline: Versatile medium-speed rating offers handheld daylight shooting and tripod-stabilized studio performance with minimal speed loss.
Exposure-Responsive Aesthetics: Shift image mood in-camera—underexpose for coarse grain and moody green shadows, or overexpose for fine grain and deep scarlet saturation.
Standard C-41 / CN-16 Development: Processes in conventional color negative chemicals without custom chemistry, extra steps, or developer timing adjustments.
Digital ICE Scratch & Dust Removal: Fully compatible with hardware infrared defect suppression systems during scanning for streamlined post-production workflows.
Broad Camera Compatibility: Works seamlessly across all standard 120 film cameras and backs, accommodating 6×4.5, 6×6, 6×7, 6×8, and 6×9 formats.
TECHNICAL SPECIFICATIONS
Product Type: 120 Medium Format Color Negative Film (Specialty Redscale Emulsion)
Brand: HARMAN technology
Emulsion Name: Red 125
Film Format: 120 Roll Film
Exposure Yield: 16 Frames (6×4.5), 12 Frames (6×6), 10 Frames (6×7), 9 Frames (6×8), or 8 Frames (6×9)
Nominal Film Speed: ISO 125
Emulsion Orientation: Reverse-Coated for In-Camera Redscale Exposure
Color Reproduction Profile: Saturated Reds, Warm Oranges, Golden Yellows; Blues Substantially Eliminated; Pronounced Shadows
Exposure Response (Underexposure): Coarser Grain, Deep Contrast Shadows, Subtle Green Undertones
Exposure Response (Normal Box Speed): Balanced Grain Structure, Strong Orange Warmth, Softer Shadows
Exposure Response (Overexposure): Finer Grain, Enhanced Contrast, Dominant Red/Orange Tonalities
Anti-Halation Layer: None (Clear Acetate Base)
Development Chemistry: Standard C-41 / CN-16 Color Negative Process
Push/Pull Requirement: None (Standard Times for Bracketed Exposures)
Digital Correction Compatibility: Fully Compatible with Digital ICE Infrared Dust/Scratch Removal Systems
Packaging / Spool: Standard 120 Plastic Spool with Opaque Protective Backing Paper & Adhesive Seal
Recommended Lighting: Direct Sunlight, High-Contrast Daylight, Backlit Scenes, Graphic Architectural Lighting
Physical Condition: Mint / Factory Fresh unexposed stock
Function: Fine-Art Medium Format Photography, Experimental Architecture & Landscapes, Dramatic High-Contrast Portraits, Surrealist Editorial Imaging & Creative Analog Projects
